Bangkok tourists have been beheaded after making online contact with an unknown party.

Newly-arrived Allie Westbrook (Tammin Sursok) meets a pair of ex-pats, Michael and Marit, who perform on a provocative interactive website called "Cam2Cam." The dark menace beneath Michael's easy charm and the strange sexual magnetism of the group's leader, Marit, drive Allie to the brink of madness.

Does anyone really leave their laptop open after they’re done?

No, because it burns the battery much quicker, but in , where voyeurs utilize remote laptop cameras to spy on women, laptops are always angled perfectly and left upright.

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It’s not that Soisson created a terrible movie, but is late to the party, brings absolutely nothing notable, and sits in the corner without making a peep.

The technological aspects are fried, more horrific moments barely register a single hair raise and the scariest moments end up being atrociously acted interactions between telegraphed cast members.

Age, hair color, mother’s maiden name, college GPA; it’s all accessible to the right people – including your current location.sets itself in a world of hackers and internet deviants who are overblown embellishments of what writers Marie Gautier and Davy Sihali believe online culture to currently be – or what they’ve seen on TV, at least. Continu.” Again, I can decipher “l337” talk screamed by angry pre-pubescent gamers, the lowliest of tech lingo, yet I’ve never read anything nearly as nonsensical as Cam2Cam chat.I’ve spent limited time in internet chatrooms and randomly connected video chats, and I certainly can talkz cheezburger on command, but I’ve never seen anyone shorthand “neighbor” with “naybr.” Really? There’s literally no logic to the above garble, showing how disjointed from modern culture such a script ends up being – a “techno-thriller” that’s unfamiliar with its own source material.Sure, these may seem like insignificant details, but when representing an entire generation, realism plays a gigantic role in cinema, and I never found myself relating to shows an inept ability to translate a lax governmental control into a seedy criminal playground.We’ve all heard stories about the “anything goes” mentality of this debaucherous foreign vacation spot, but the extremes that main characters are able to reach become almost laughable – even while recognizing beautifully chaotic cinematography capturing bright neon Vegas-strip style signs.

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I had trouble enjoying Sarah Bonrepaux’s turn as Sursok’s salacious new friend, spouting such throwaway comments like describing her idea for “Assbook,” you know, like “Facebook, but with dog’s asses…” – um, come again? ” out of her thick accent made me cringe a bit, which never quite made me confident in director Joel Soisson’s decisions.

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